It was the best of selfies, it was the worst of selfies.
Presidential ones, that is.
On Monday (22 July), French President Emmanuel Macron joined IOC President Thomas Bach in welcoming over 200 international (non-French) journalists to Palais de l'Élysée, akin to The White House on this side of the Atlantic.
With thanks to Jill Jaracz of Keep The Flame Alive podcast, who posted to Instagram a photo of her arrival at said palace about an hour before the event (just in the nick of time), I was reminded, "Oh, that's today" (!!!) while seated in boxer shorts at my hotel, prompting a rush to get dressed and make way to the venue.
The official invitation from Macron's staff went out last week to journalists of Paris Media Centre, the "unaccredited media center" for this Olympiad. Though my badge is still in review, my AIPS press card and a passport were enough to register. And after a short metro ride and four layers of security, we were inside the Elysee awaiting Macron's arrival.
As reporters mingled, I caught up with USA Today's Christine Brennan, longtime friends Ed and Sheila Hula (founders of Around The Rings) and reporters from the Team USA Media Summit in town from the LA Times, Sports Business Journal, NBC and others.
It was fun to swap pins with the press lead from Team Ukraine, a TV reporter from New Zealand's Sky network, and several Korean and Japanese reporters more obviously in the pin game.
Around many corners of the ballroom in which we gathered (reminiscent of the East Wing dance hall in Washington), meters-long tables of gourmet coffees, French wine, exotic local cheeses, Olympic-tailored bread and a smorgasbord of meats and fresh fruit from across the nation were assembled by toque-donning chefs.
And voila! Macron arrived accompanied by a military symphony and Bach as well as Paris 2024's CEO, speaking for several minutes about the shared journey to the eve of the XXXIIIth Olympiad. Here are some President Macron's remarks:
Remarks complete, Bach made a beeline for the sortie, briefly stopping to shake hands and chat with Brennan and moi (I asked the wherabouts of one of my clients to which Bach replied with surprise).
Meanwhile, Macron -- much to the delight of the attendees -- stayed in the ballroom, working the crowd answering softball questions, posing for selfies and introducing the First Lady to a few VIPs.
By the time the impromptu receiving line reached my spot, we were in the garden and Keep The Flame Alive podcaster Jill and I swapped photo duties to capture the moment (thank goodness as my own selfie attempt was marred by the wind).
Shaking hands with President Macron -- whose grip is quite strong and confident -- I first thanked him for his team's marvelous hospitality, complimented his remarks and wished all of France great success with what is already turning out to be among the best Games ever.
"Merci beaucoup!"
This next part surprised me in that when another journalist interrupted the end of our handshake, Macron did not let go of my hand for about 20 seconds, insisting it was first my turn to finish the conversation and photo.
Point, smile (or in my case keep talking), snap and the moment was complete, leaving Jill and I time to finally enjoy some drinks and catering in the garden, cheerfully toasting "To all the bullshit!" that got us to Paris.
Exiting the French palace, I snapped one last photo of what may be a presidential Citroen. So fancy! Nice touch.
Meeting Macron was definitely more personal than interactions with V.P. and candidate-turned-President Biden or Vladimir Putin, in 2010 and 2014, respectively.
One of my favorite Olympic observations took place at Beijing 2008, not far from the Main Press Center and Water Cube.
Dozens of pin collectors -- some veteran, others new to the hobby -- were viewing one another's boards of trading material.
A Chinese collector took notice of a 1970s throwaway pin I offered, featuring the words "Born to Skate" (likely a roller-skating reference).
"What is skate?"
This memory came to mind yesterday as a trio of Team USA skateboarders -- Poe Pinson, Paige Heyn and returning Olympian Mariah Duran, exited the Paris Olympic Village to head out for an afternoon skate about Paris.
Before they set out, I caught up to Pinson and Duran and quizzed them about their arrival at the Village, which turned out to be two days ago (18 July).
Though lowkey (perhaps day two of jetlag), they were positive about the entire experience, with Heyn joining the conversation to mention she looked forward to visiting the athlete hair and nail salon -- the main Village feature about which she had heard -- at some point before the opening ceremony.
With several local French children and kids from neighboring apartment blocks surrounding us, all three Olympians started handing out free swag, including skateboard pins and some Tech Deck miniature plastic boards.
"J'aime le Etats-Unis!"
And then they were off -- the trio of skaters set out on what turned into a 2.5-hour ride (I spotted their return from the corner of an eye but did not speak with them again).
Other observations du jour: A large batch of Dutch athletes (two busloads) though my Olympic crush Femke Bol was not among them (a Team NL official mentioned she'd arrive later), Team Mexico unveiled what may be their Opening Ceremonies sombreros (much to the delight of the local kids who got to wear them), and some trading with volunteers or staff from the International Olympic Committee, Intel and NOCs from Aruba, Montenegro, Team GB and others.
Best moment: Conversation with Venezuela's two-time judo Olympian Anriquelis Barrios, who completed interviews with AFP and me before gifting a Team Venezuela pin in exchange for a blog pin (both featuring the Paris mascot).
Back in 1996, a couple of colleagues with the Atlanta Committee for the Olympic Games (ACOG) international relations team composed an original song -- "Village of the World" -- in which almost 200 national Olympic committees got mention in the lyrics.
My missions du jour: Check out the guest pass process, and trade pins.
There were lots of pins.
After trading with several volunteers and Olympic Village workforce members during what seemed to be a shift change, I walked away the happy owner of several new items, including a heart-shaped International Olympic Committee pin given to volunteers earlier in the day, German and Brazil team pins and a few of the new U.S. half-dollar-sized Samsung Rendezvous pins.
Upon arrival at the separate Village transportation area, with a much larger athlete presence, I wasted no time capturing the arrival of the Refugee Olympic Team bus, also speaking with several athletes (three pin exchanges).
The vibe at the transport area among dozens of security, volunteers, NOC officials and athletes was a mix of glee, nervous anticipation (the good kind), a little stress (do I have all of my bags?) and a lot of smiles and hugs.
When the Fiji Olympians arrived, it made me chuckle that each athlete brought their own case of water from their homeland sponsor (you know ... the expensive Fiji Water bottles like at Whole Foods Market).
Other NOC interactions included Australia, Canada, St. Lucia, Liechtenstein, Argentina, Norway, France and, of course, Team USA, who had two full-time staffers on site awaiting a critical luggage and supply delivery truck.
Another eager attendee was a photojournalist for Kyodo News, who was relieved to get his money shots of Team Japan disembarking from their bus as Paris 2024 volunteers helped load airport-style Village-branded luggage carts.
Perhaps the best pin discoveries: Andorra has a really nice jumbo design, and the Peru Olympic Volunteers got creative with their oversized design, using a globe-spinning mascot image I almost picked for one of my Olympic Rings And Other Things pins.
Never did find the guest pass area, but learned this morning it's just around the corner from the transport zone -- will endeavor to explore yet another Village entry in the days ahead.
Another curiosity of the Olympic Village was its proximity to dozens of neighboring apartment buildings.
In the quiet times between pin trades, I spoke with several local residents who revealed a mix of good cheer to live so close to "the action" juxtaposed with "can't we just get this over with" sentiment (one resident was particularly cranky his carpark access had some hiccups).
Looking forward to the next Village visit. Meanwhile, today's task: Paris Media Centre.
My expectations were simple for a premier visit toMusée Rodin, one of Paris' main museums skipped during prior travels.
What a treat!
Nestled a couple of blocks from Invalides -- the 2024 Olympic archery venue -- and the Museum of the Army in the 7th Arrondissement, the museum of Auguste Rodin blends with its neighbors on the exterior while unveiling a grand garden and main building (the sculptor's later-years Hôtel Biron residence of about 116 years ago).
Of course, the sculptures impress. It was fun, albeit unplanned, to view Rodin's sketches, ceramic models or miniatures for many of his famed works while discovering dozens of new-to-my-eyes concepts, then touring the museum gardens to find the magnificent, and at times monumental, Rodin casts in bronze.
I knew not that one of his first major works, as a teen, featured a bust of his father, now on view with portraits or other portrayals of family members.
There were also reminders of works seen at the largest U.S. museums dedicated to Rodin, including venues in Philadelphia, San Francisco, Kansas City and Atlanta's High Museum of Art, home to a gifted sculpture "The Shade" presented by the French Republic to the City of Atlanta as a memorial to arts patrons lost at Orly Field.
Speaking of "The Shade," it was new-to-me info there are multiple Rodin figures by this title, with trios of Shade figures in the galleries, garden and atop a massive portal the artist fashioned with additional accoutrement.
There are nudes around many corners, including some not-for-kids poses like "Iris, Messenger of the Gods" (previously noted in this October 2022 post also summarizing Rodin past Olympic connections).
Special for the 2024 Cultural Olympiad, Musée Rodin added content and works of Rodin's partner of 10 years, Camille Claudel, whose dramatic 1897 onyx and bronze work "The Wave" seemingly splashes/crashes from its display (the work is described as Claudel's major break from Rodin not long after she left him).
The best surprise was discovering several paintings by Rodin contemporaries, collected through friendship or investment. Most impressive: Large canvases by Edward Munch, Claude Monet, Pierre-Auguste Renoir and Vincent Van Gogh.
Another discovery: Rodin's personal collection of hundreds of artifacts from ancient civilizations, with many figures of antiquity serving as inspiration for his own work.
An upstairs corridor showcased a 2023 sculpture, apparently designed and assembled by 12 apprentice sculptors, titled "The Flame of Culture" inspired by the Olympic torch relay traditions.
Exiting through the gift shop, two items caught my eye: a miniature version of "The Kiss" in its own wood crate (these miniatures were not available when this work was on view at the "Rings: Five Passions in World Art" exhibit of the 1996 Cultural Olympiad in Atlanta), as well as a clever pin design inspired by "The Thinker."
I was also captivated by a tin and brass broach pin design, described by the gift shop manager as "piano hands" (it was not clear if this is a Rodin work but likely is). For over 100 Euros, it was time to stop the music and settle with a few postcards.
Methinks my wallet may be even emptier by Games end.
The Musee Rodin has special hours planned during Paris 2024 -- whether you're in town for the Olympics or a future City of Light excursion, do yourself a favor and make time to discover this Parisian treasure.
A public relations executive by day, small-time eBayer by night and weekends, lifetime member of the International Society of Olympic Historians (ISOH) and full-time Olympic enthusiast who also looks at "BoingBoing-style" unusual news with interest. Please e-mail me at olympiada@yahoo.com or if you can't get enough try my Facebook page http://www.facebook.com/people/Nicholas_Wolaver/713593008