Meeting President Emmanuel Macron

It was the best of selfies, it was the worst of selfies. 

Presidential ones, that is. 

On Monday (22 July), French President Emmanuel Macron joined IOC President Thomas Bach in welcoming over 200 international (non-French) journalists to Palais de l'Élysée, akin to The White House on this side of the Atlantic. 

With thanks to Jill Jaracz of Keep The Flame Alive podcast, who posted to Instagram a photo of her arrival at said palace about an hour before the event (just in the nick of time), I was reminded, "Oh, that's today" (!!!) while seated in boxer shorts at my hotel, prompting a rush to get dressed and make way to the venue. 

The official invitation from Macron's staff went out last week to journalists of Paris Media Centre, the "unaccredited media center" for this Olympiad. Though my badge is still in review, my AIPS press card and a passport were enough to register. And after a short metro ride and four layers of security, we were inside the Elysee awaiting Macron's arrival. 

As reporters mingled, I caught up with USA Today's Christine Brennan, longtime friends Ed and Sheila Hula (founders of Around The Rings) and reporters from the Team USA Media Summit in town from the LA Times, Sports Business Journal, NBC and others. 

It was fun to swap pins with the press lead from Team Ukraine, a TV reporter from New Zealand's Sky network, and several Korean and Japanese reporters more obviously in the pin game.  

Around many corners of the ballroom in which we gathered (reminiscent of the East Wing dance hall in Washington), meters-long tables of gourmet coffees, French wine, exotic local cheeses, Olympic-tailored bread and a smorgasbord of meats and fresh fruit from across the nation were assembled by toque-donning chefs. 

And voila! Macron arrived accompanied by a military symphony and Bach as well as Paris 2024's CEO, speaking for several minutes about the shared journey to the eve of the XXXIIIth Olympiad. Here are some President Macron's remarks:

Remarks complete, Bach made a beeline for the sortie, briefly stopping to shake hands and chat with Brennan and moi (I asked the wherabouts of one of my clients to which Bach replied with surprise). 

Meanwhile, Macron -- much to the delight of the attendees -- stayed in the ballroom, working the crowd answering softball questions, posing for selfies and introducing the First Lady to a few VIPs.

By the time the impromptu receiving line reached my spot, we were in the garden and Keep The Flame Alive podcaster Jill and I swapped photo duties to capture the moment (thank goodness as my own selfie attempt was marred by the wind).

Shaking hands with President Macron -- whose grip is quite strong and confident -- I first thanked him for his team's marvelous hospitality, complimented his remarks and wished all of France great success with what is already turning out to be among the best Games ever. 

"Merci beaucoup!" 

This next part surprised me in that when another journalist interrupted the end of our handshake, Macron did not let go of my hand for about 20 seconds, insisting it was first my turn to finish the conversation and photo. 

Point, smile (or in my case keep talking), snap and the moment was complete, leaving Jill and I time to finally enjoy some drinks and catering in the garden, cheerfully toasting "To all the bullshit!" that got us to Paris.

Exiting the French palace, I snapped one last photo of what may be a presidential Citroen. So fancy! Nice touch.

Meeting Macron was definitely more personal than interactions with V.P. and candidate-turned-President Biden or Vladimir Putin, in 2010 and 2014, respectively. 

What will happen next?

Photos by Nicholas Wolaver

Bienvenue à Paris - pour les Jeux Olympiques!

Arriving at Charles de Gaulle airport on 11 July marked my fifth touchdown at Paris since the early 2000s. 

Unlike previous visits, mostly for a few days of tourism, Olympic writing or the handover ceremony from Tokyo 2020, this time I'm setting up residence for several weeks.

The longer visit to the City of Lights is thanks, in part, to a certain national Olympic committee which initially (in early 2024) offered a long-term pre-Games volunteer assignment that was later reneged only after some nonrefundable accommodations were secured. 

But I'm not bitter -- in just two days I've gotten reacquainted with Paris, walked a couple dozen kilometers, seen three museums and stopped by Hotel de Ville (city hall) in relation to blogging credentials. Here's one happy writer easing into a summer of experiences on the heels of a week vacationing in the Mediterranean resort of Antalya, Turkey.  

All across central Paris there's a curious mix of activities in anticipation of the Games. Lots of construction, though most of the venues (except for the stadium seating along the Seine) appear to be in place and operational. 

Look of the Games banners and bunting are going up on a few more buildings each day. Not one person -- local nor tourist -- seems to know a thing about Olympic pin collecting traditions. 

But everyone knows the torch relay, and with today's national holiday hundreds of thousands will see Olympic torchbearers at iconic sites across the city, including the Arch de Triomphe, Petit Palace, Luxembourg/Senat and other destinations. After the morning parade my intent is to reconnect with the torch relay convoy at the Louvre, where the flame will visit Mona Lisa herself. Stay tuned for photos.

By the way, thank you for reading. If you made it this far, count yourself among the 851,375+ all-time visitors to this website. 

Will it reach 1 million by mid-August 2024? 

With appreciation to all readers, please share, comment and repost if you care to help achieve this ambitious goal in play since 2008. 

Photos by Nicholas Wolaver

Unsolicited Suggestions for New Olympic Traditions

A letter dated May 25, 2024, went out via U.S. Mail addressed to Maison Olympique in Lausanne, Switzerland. 

Here's a slightly redacted version, posted to see what may resonate. 

Reader feedback via the comments at the base of the post will be greatly appreciated. 

To: Thomas Bach, International Olympic Committee President

From: Nicholas Wolaver, Editor of Olympic Rings And Other Things

RE: Unsolicited Suggestions for an Olympic Opening Ceremony Tradition

President Bach: Greetings from Atlanta. Though your schedule and priorities perhaps enabled the memories to slip, we met on two occasions during and between Olympiads, first at the Coca-Cola Pin Trading area of Russia House in Sochi (at a ceremonial Winter Games pin exchange) then again at Rockefeller Center when the IOC and Intel announced their worldwide partnership in 2017.

At this latter meeting you were kind enough to offer encouragement for a longtime research project through a lifetime membership of International Society of Olympic Historians. 

As a witness to the IOC's and your progress, both through media coverage and from conversations with two of our mutual acquaintances, I am aware of your general desire to pass the torch to future successors with the IOC on solid footing and some fresh or refreshed traditions. With this IOC presidential legacy in mind, I am writing to suggest an idea for the Opening Ceremonies that could establish a new tradition while solving a longtime challenge.

The challenge is finding a way to memorialize Olympic Family members who were lost due to tragedy, war or upheaval, or natural causes. With varying degrees of success, the IOC and Olympic host city organizers created one-time fixes, such as moments of silence for the Munich '72 families or those who perished in the London bombings only hours after that city won the 2012 Olympic bid. 

Though it is possible and likely others suggested similar ideas, what follows is my version of a solution: Create a permanent "in memoriam" segment during the Olympic opening ceremony combined with a toast to Olympians past, present and future. 

Here are details in support of this suggestion:

• The Grammy Awards, Academy Awards, Rock and Roll Hall of Fame and other global ceremonies each including "in tribute" or "in memoriam" segments of their live broadcasts. The popular segments are intentionally brief with highlights spanning the past year of losses for the organization's membership, award winners and influencers. Through a highlight reel during the opening ceremony, the Olympic Family could pay tribute to a partial list of Olympians or contributors lost since the most recent previous Olympiad and/or icons for all time. 

• As with the Grammy, Oscar and other events, the highlights need not be comprehensive as an expanded version of the "in memoriam" tradition could live online, in social media or elsewhere, inspiring conversations and tributes to those lost (with a broader audience beyond the opening ceremony telecast viewers).

• 
  Various cultures worldwide celebrate those who were lost with a memorial toast at special celebrations. In my native USA, a family Thanksgiving holiday meal may include a toast in remembrance to those lost during the previous year followed by a toast to everyone's health or victory in a struggle.

• The IOC's version of a toast could mark a transition in the opening ceremony just after the athlete and official oaths but before the arrival of the torchbearers to light the cauldron.

• Possible remarks from a designated/invited VIP presenter could speak with a traditional toast: "Please join the world in a moment of silence as we reflect on Olympic Family members lost along the journey to tonight's celebration" (after 15 seconds of silence, roll tribute footage compiled to include nods to Munich '72 and other Olympic Family members with memorial music).

• 
  Historic Olympic toasts include modern Olympic founder Pierre de Coubertin offering a toast on 23 June 1894, the final night of the first Olympic Congress in Paris: "I lift my glass to the Olympic idea, which has traversed the mists of the ages like an all-powerful ray of sunshine and returned to illuminate ... a dream of joyous hope."

• Whether viewed in the stadium or on live streaming or televised broadcasts with official host TV networks, the globally universal themes of "good luck" or "to your health" -- as assembled in the world's languages listed [below] just after my signature of this letter -- could appear upon the screen, inspiring audiences at hope to make their own toasts to goodwill. Through translation of the phrases pasted below, you will find commonality or overlap with Faster, Higher, Stronger, Together.

• With Worldwide partners AB InBev and Coca-Cola, all could ceremonially "raise a beverage" for the toast.

• With a seemingly endless parade of increasingly tragic world events from the pandemic to armed conflict, natural disasters to the misdeeds of doping, the toast/memorial segment could support the underlying message of "we're all in this together" and "we're more alike than we may realize" or "we're all human."

My guess is that your team already found creative answers to the recurring challenge of commemoration. Additionally, my hope is the suggestion outlined above may express support for answers already devised or contribute a voice in the spirit of finding a solution to "the memorial problem."

I look forward to future opportunities to informally meet, compare notes on Olympic history/future, and to trade pins. Please enjoy the enclosed as an addition to your collection, with my compliments. 

Thank you for your consideration. 

Sincerely, 

Nicholas Wolaver, Editor

Olympic Rings And Other Things

Ceremonial Toasts In Any Language

अच्छी सेहत • Bersulang • به سلامتی • Будем! • Brindem • Будзьма! • Будьмо • ชัยโย • Chang hala • Cheers! •   乾杯 • Chin-chin • cul sec • Dô  dzô • Egészségünkre • Εβίβα • Fenékig • გაუმარჯოს! • 건배 • Gesondheid • Gëzuar • Կենացդ • Наздраве • 予焦啦 • Hölökyn kölökyn • Εις υγείαν • I sveikata • Jam e Sehat • Je via sano! • Kampay • 乾杯 • kippis • lechyd da • Le’tanachin • לחיים • Mabuhay • Mayri ora • หมดแก้ว • 請請 • На здравје • Nazdravlje • Noroc • Pohjanmaan kautta • Priekā • Proscht • proosit • Proost • Prost • بصحتك Saħħa ¡Salucita! • Salud • Salut! • Salut i peles! • Sănătate • santé • Saúde • Serefe • skool • Hirup • Skål • skál • Sláinte mhath • Tagay • "तरङ्ग • Tchim-tchim • Terviseks • Tjeers • Tjorts • Topa! • Uzdravlje • vives • Ваше здоровье! • Wasze zdrowie • 飲勝 • Yam seng • Yeghes da! • Xin-xin • За здоров'я • Živjeli • Zum wohl

Top image via Architectes.ch. Image of Phoenix rising from London 2012 Olympic cauldron by Ursula Petula Barzey via GuideLondon.org.uk. Photo of Glenn Close introducing the 2014 Oscar memorial tribute by John Shearer/Associated Press via WSJ.com. Vangelis image via this YouTube post. Coubertin wine bottle via Ebay. Last of the 2010 blogger pins photo by Nicholas Wolaver. Ceramics by Lorrie Wolaver. 

Paris 2024 Unveils Grand Relais de la Flamme

Want to help the Olympic flame reach Paris? 

There's still time for nominations -- deadline 15 July -- for those seeking to fill one of the 10,000 torchbearer segments unveiled this Olympic Day. 

Each torchbearer will transport the flame about 200 meters, or just over 650 feet, which is shorter than my occasional Midtown Atlanta walks for lunch at Mary Mac's Tea Room. 

In press materials, this is estimated at four minutes per segment for the average torchbearer. Less officially that's 19 to 22 seconds for Usain Bolt or Florence Griffith-Joyner, respectively, the world and Olympic record holders for the same distance. 

With help from Google Translate, I call it la petite segment (though la petite tranche sounds more dramatic). 

During an online media preview held Tuesday morning, 2024 Olympic press team members showcased next year's torch relay route and other details under embargo until noon today in Paris. Since the first media question on the call regarded the in-progress police raid at Paris 2024's headquarters, it was not immediately clear how much resonated with other reporters in attendance. 

For this writer, the scope of next year's five-ringed route is impressive, as much for its blend of torch relay traditions with new elements as for its first-time destinations exotiques. 

Of course, the map starts in Olympia, Greece, where the Hellenic Olympic Committee will welcome the host city to launch the relay with rays from the sun on April 16, with VIP and Greek runners helping whisk aloft torches toward an April 26 ceremony at the Panathenaic Stadium in Athens. 

Borrowing from past relays, the Olympic flame and its entourage will next travel by ship -- specifically aboard the triple-masted Belem -- embarking from the Port of Piraeus on April 27, heading westward to Marseille in time for a May 8 arrival ceremony. Historians may appreciate the Belem enjoyed its maiden voyage in 1896, the year Athens hosted the first modern Olympiad. 

I'm not sure how the route overlaps with past torch relays on French soil, but the chosen path generally hugs the southern coast and border -- including a hop to Corsica -- then north through several western towns until arriving at coastal Brest, where on June 7 things get intéressante thanks to the crew of another sailing vessel, the impressive Maxi Banque Populaire XI, capable of getting the Flamme Olympique across the Atlantic in eight days. This video provides a peek aboard.

Simultaneous to this oceanic crossing for the flame's first visits to Guadeloupe (June 15) and Martinique (June 17), other segments will be carried at ceremonies in French destinations including Guyana (June 9), Reunion (June 12) and French Polynesia (June 13), where weeks later Olympic surfers will ride the waves. Sidebar: Martinique is where Humphrey Bogart got quizzed RE: whistling in "To Have and Have Not."

Not sure how -- my guess is by jet (as it was not made clear in the press kit) -- but on June 18 the flame returns to France tout suite, where voilà, the route resumes in Nice for its five-week final march to the City of Lights. 

One noted curiosité: though the eastern map pinpoints a visit to 1924 Olympic host Chamonix, the route was charted sans Albertville and Grenoble, perhaps intentionally, which may leave each city's chambre de commerce to exclaim sacrebleu and others with their culotte dans une liasse.

No matter the possible flaming snubs, of the 2024 route -- it's a lot! 

Not the longest nor most elaborate torch relay, but definitely an expansive plan that will give tens of thousands of islanders or South American mainland and French residents a new or renewed option to experience the moving Olympic flame tradition. 

Those seeking to complete nominations may find helpful the Paris organizing committee's FAQ for the process.

As for the crew of Maxi Banque Populaire XI, they'll be looking for Mother Nature to follow Lauren Bacall's instructions to put [her] lips together and blow. 

Images courtesy Paris 2024, CFP on CGTN.com, and this Dailymotion link. Lauren Bacall photo via We Are Movie Geeks. Florence Griffith Joyner photo via Paul Hellstern/Daily Oklahoman

Guggenheim Presents "Alex Katz: Gathering"

When the High Museum of Art presented 60 works by Alex Katz in 2015, I learned and wrote about how the artist captures "quick things passing" as part of his craft. 

Borrowing lyrics from the Olympic anthem "One Moment in Time," Katz succeeds in enabling viewers of his works to "feel eternity" in frozen family memories, knowing glances of friends, still scenes from nature or portraits of his muse and wife, Ada, depicted 1,000+ times since they met and married in 1957.

So, when summer news reports emerged announcing the Guggenheim would present a "career retrospective" in the Frank Lloyd Wright rotunda, I marked my calendar for an autumn return to Manhattan for the potential assemblage of "must see masterpieces." 

Of course, curiosity piqued while wondering whether Katz's 1976 work "Olympic Swimmer" might appear (as it was absent at the High).

Though this five-ringed work is not presented in "Alex Katz: Gathering" on view through Feb. 20, there are dozens of other gorgeous and thoughtful canvases -- including some aquatic depictions -- as well as cutouts, collages and sketches that easily justified the special journey to Manhattan in November. 

Sadly, life and procrastination brought me to this point of posting a review just days before the exhibition closes, much later than intended when the museum press office kindly provided a media ticket for access.

If you are fortunate to be in or near the Upper East Side area through Monday, this gathering is well worth a visit. 

Though the works are presented chronologically for Guggenheim visitors to experience while ascending the iconic atrium ramp, once my ticket was scanned, I made a bee line to the elevator to enjoy the works top down. 

In my two-hour descent starting with the artist's most recent works, I enjoyed piecing together relevance to earlier works then affirming some hunches via the wall texts. 

Over here, an assortment of portraits. 

Over there, a docent trying her darndest to keep some third graders' attention on a backyard scene. 

New to my eyes and Katz awareness: the artist's many two-sided cutouts, sometimes life-sized, others as solo or grouped busts. A couple of the five-foot cutouts featuring a man and woman in 1970s attire were positioned as though chatting along the ramp's circular rail, while another cutout of a man seemed to be strolling toward a nearby painting.

While studying several works for a few minutes each, no singular Katz consistently stopped people in their tracks more that the large 1980 canvas titled "Song" featuring a trio of musicians at a piano, as well as "Cocktail Party" featuring an urban soiree of 1965. 

The exhibit also featured oversized flowers and dynamic portraits that resonated with this writer and Katz fan. I simply love his shoreline paintings depicting sunshine or moonlight dancing on the waters of their foregrounds. The eyes of his portraits always captivate my gaze as well. 

Indicative of the show's popularity in its early weeks, the museum was out of exhibition catalogues. Exiting through the gift shop empty-handed was OK, however, given the enrichment secured while viewing so many of the nonagenarian's works in one place. 

Photos by Nicholas Wolaver