Sunday, April 23, 2017

Murray Olderman and The Draw of Sport

From a recent request for a review copy (thanks, Fantagraphics P.R.), I recently perused the new hardback book "The Draw of Sport" by Murray Olderman.

On its pages readers find nearly 120 illustrations Olderman created in his decades-spanning sports journalism career that started when the student newspaper at his first undergrad alma matter Mizzou published one of his cartoons.

He went on to draw thousands of works of art inspired by countless experiences in the sports box on assignment from newspapers and the wire service for which he eventually managed sports coverage.

Readers learn the author's aspirations to write and illustrate sports began during his youth when his father brought home newspapers filled with sports cartoons in the days before photography and technology came to dominate athletic coverage.

I was intrigued by "The Draw of Sports" since it seemed if Olderman wrote and created images from the 1940s to recent years, he probably met an Olympian or two with some stories to share. Jesse Owens made the cover art for this new release, and in the text facing a portrait of the runner that Olderman sketched for a Games-centric magazine spread (Olderman perhaps also drew Olympians Jim Thorpe, Paavo Nurmi, Charley Paddock, Harrison Dillard and Bob Mathias for the same special assignment tied to the 1952 Games).

The format for "The Draw of Sport" is consistent: Even pages with a few paragraphs the author scribed from his memories of athlete encounters and interviews, with a matching cartoon on the facing odd page. Owens appears in the middle of Olderman's A to Z list bookended by Atlanta Braves homerun king Hank Aaron and 1932 Olympian Babe Zaharias.

"[In 1954] I actually met Jesse Owens at a luncheon at Toots Shor's on 52nd Street in Manhattan, the favorite sports hangout in the city," wrote Olderman on his Owens descriptor. "[He] was doing motivational speaking by then after varied ways trying to capitalize on his Olympic glory. I don't remember what company he was plugging, but do recall the staccato cadence of his speech."

Olderman described similar "I was in the room with ..." or "when I spoke to ..." Olympian encounters that pop up just a few times in "The Draw of Sport" on narrative/illustration pairs for Muhammad Ali, Jean-Claude Killy, Jim Thorpe and Zaharias.

Olympic basketball's Ann Meyer (1976 -- appearing in a spread featuring her pro baseball husband Don Drysdale), Bill Russell (1956 in Melbourne) as well as 1960 team alternate John Havlicek also made the cut.

The Games appear in a handful of other narratives, but mostly to provide context on Olderman's reporting assignments rather than specific Olympians.

Kareem Abdul-Jabar, for instance, appears in "The Draw of Sport" for his basketball feats, but Olderman's illustration of the black boycott of the 1968 Games -- in which Abdul-Jabar participated before his NBA career -- did not (I found the rings illustration at left on MurrayOlderman.com and on one of the section dividers in the new book).

Piecing together notes from the introduction and a few cartoon descriptions, it seems Olderman perhaps only touched the Games remotely in 1952, 1956 and 1960 but later traveled to the Olympics in 1968, which he described with some detail.

"Let's just say I had an edge on my American colleagues covering the Winter Games at Grenoble, where my focus was on Alpine events and a dashing young Frenchman who was swooping to a covey of gold medals," wrote Olderman of Killy. "[His] English was nil then [and] the interviews were conducted only in French.

"I was fairly fluent and could follow his explanations of navigating through the fog that embraced the slalom and downhill runs ... and passed them along to Jim Murray of the Los Angeles Times, the only other scribe who bothered to come out to the Olympic site."

While Olderman's work and collection are impressive, I was a bit let down that so few five-ringed athletes -- an only two female Olympians -- are in "The Draw of Sport."

With only a handful of Team USA athletes celebrated (and only one French gold medal skier), I was left wondering how Olderman reported on, say, Bruce Jenner in Montreal, or Olga Korbut and Nadia Comenici's gymnastic feats, or any of the legendary performances in Los Angeles 1984 (the only post-1960s Olympiad mentioned by Olderman was a vague reference to seeing Michael Jordan play for The Dream Team in 1992).

But then, by the 1970s fewer newspapers illustrated their sports coverage with hand-drawn art (perhaps this explains the absence of these later Olympic heroes).

In his editorial role, Olderman founded the Jim Thorpe Trophy presentation to top professional football players, paying homage to the 1912 Olympian who later excelled in multiple pro sports. The book's Thorpe tribute correctly references part of Thorpe's gold medal feats only to incorrectly state his "medal" (singular) was stripped (Thorpe won then lost then received again posthumously) gold medals (plural) in decathlon and pentathlon.

But this is a forgivable error for a sports cartoon legend approaching his 95th birthday as "The Draw of Sport" was going to press.

I encourage sports fans old and young to get a dose of history through reading this Olderman collection. The cartoons provide a broad roundup of sports feats from the 20th century, and the author's stories bring them to life. A video from his grad school alma matter follows for more background on this sports writer and artist.

Images via Fantagraphics and MurrayOlderman.com



Wednesday, February 8, 2017

One Year To Find Passion. Connected.


A few of my Olympic buddies and I seem to be in similar boats with regards to the upcoming Winter Olympiad.

One year from now the world will gather in PyeongChang for the 2018 opening ceremony, and some of us are not yet sure we'll be there. 

Rio 2016 really did a number on me, an unexpected, unwelcome and unprecedented turn for my Olympic fandom of three decades. I know the passion is still in there, but for some reason the Brazil Games experience left that passion girding its loins, reluctant to return.

Fortunately, some online updates and a recent U.S. Olympic Committee media call, and a holiday peek at some Korean maps, proved there's still a five-ringed pulse in this blogger. 

Just after Christmas, at a destination bookstore in Oklahoma City, I spent some time studying Korea in the travel section. Driving in Asia seems daunting at first glance, but then since navigating the Italian alleys around Torino in 2006, a trek from Seoul to South Korea's eastern coast seems doable.

During the call with Olympians Mikaela Shiffrin, Elana Meyers Taylor and the 2018 Team USA Chief of Sports Performance Alan Ashley held Monday, it was good to hear the athletes' determination and passion as they described their personal journeys to PyeongChang in progress. Ashley described his recent visit to the Olympic host region and positive observations of the Korean staff and volunteers working hard to welcome visitors. 

On the call I asked the status of USA House planning, which remains in progress, and the extent to which the athletes on the call valued access to past house venues. Meyers Taylor's answer and talking about her experiences in the Sochi USA House with family members got me interested in the prospect of a future visit in Korea.

"It's huge to have a home away from home, a place to relax," said Meyers Taylor. "My father and husband had a great time there [in Sochi]." 

The scene with Meyers Taylor and her family rang a bell. She was kind enough to pose for a photo during the Russia Games experience three years ago. 

Today I glanced at several sections of the PyeongChang website and YouTube Channel for the first time in several months. The schedule is helpful. Some of the venues intrigue me -- I have yet to experience an Olympic biathlon finish line, and checking out Olympic ski jumping (as in 2014) could be fun. 

The "Coastal Cluster" in Gangneung looks like it may be in close proximity to some interesting waterfront architecture.

The theme of the host organizers -- "Passion. Connected." (with periods for emphasis) -- got me to thinking about connect the dots to revive my love of the Games. 

Only time will tell how and when I'll come around and commit to the Korean Olympic experience. Anyone else considering options? What's inspiring you, or holding you back? Please share. Additional connectedness for 2018 is certainly welcome. 

Top images via PyeongChang 2018 website and SI.com, respectively. 

Tuesday, December 6, 2016

Notes RE: Dr. Sammy Lee

Sad weekend news: Olympic diving champion Dr. Sammy Lee died in California at age 96, as reported by the LA Times.

I shared a fun, albeit brief, conversation with Lee at USA House in London during the 2012 Games. On an evening that included several Olympians visiting the house, including Shannon Miller and Prince Albert of Monaco, I spotted Lee attentively watching Olympic diving live on the monitors.  

Seated on a plush couch arranged in the center of the venue's main room, Lee explained he had returned to USA House from an afternoon diving preliminary, citing he was exhausted from the commute across the pond.

I don't recall the questions posed to him -- likely centered around his coaching with Greg Louganis at Seoul 1988 (see video) -- trying to ask only during breaks in the on-screen diving action, but his response after about my third question stuck with me.

He nodded off mid-sentence.



Later in the evening, as the night's gathering was winding down and visitors made their way outdoors to await hotel transportation, Lee spotted me and apologized for dozing. We spoke about the divers on screen and that was pretty much it.

Reading the online tributes to his decades-long career, I regret not being better versed in Lee's credentials -- would like to have asked more about 1948 and 1952, coaching later athletes, his role (if any) with LA84, and his contributions to other Olympic bids, including LA2024, which Tweeted the organization's condolences on Lee's passing.

One of the Tweet responses was a follower's suggestion that an LA2024 venue bear the name "Sammy Lee Aquatics Center." I kinda like the sound of that.

Photo via Olympic.org




Saturday, November 26, 2016

Great Book And Brooklyn Exhibition

During an impromptu 24 hours in New York last month, I enjoyed a brief opportunity to revisit the Brooklyn Museum for the first time since 1996.

The draw? In addition to longstanding curiosity about Georgia O'Keefe's 1949 canvas "Brooklyn Bridge" and other permanent collection works, I was enticed by online promotion of the current exhibition "Who Shot Sports: A Photographic History, 1843 to Present" organized by returning guest curator and author Gail Buckland.

Georgia O'Keeffe,
via Brooklyn Museum Shop
On site I learned that Buckland also created a beautiful new book -- in her words, via one of several email exchanges, "... not a catalogue but a self-contained trade book of the same title" -- featuring the 230 or so images credited to 170 photographers.

Both the exhibition and book include images from several A-listers not necessarily know for their still camera work, such as Andy Warhol, Stanley Kubrick and Leni Riefenstahl.

The museum displays, arranged in four galleries divided by a small exhibition-centric gift shop, are organized across eight themes like the chapters of the 300-page volume published by Knopf (with thanks to the author, a review copy arrived at my door not long after we established contact; thanks also to the museum for a review ticket).

Thomas Pelham Curtis,
via Brooklyn Museum
Looking back, it's certain I did not follow the suggested flow of the exhibition, quickly skipping to the Olympic section. It impressed me several photographs snapped at the first modern Olympiad at Athens in 1896 appear steps from images of Beijing 2008 and London 2012.

Rare images captured by members of the first Team USA, and Buckland's wall-text pointing out early cameras used at the first Games, set up a theme described later in this exhibition section: The Olympics are the place at which the latest photo technology is often introduced.

It was fun to spot Sonja Henie skating on a frozen lake in St. Moritz, stills from Riefenstahl's "Olympia" (specifically, elements of an album the filmmaker presented to Adolf Hitler), the original negative of Bob Beamon's record-breaking long jump, and an action shot captured a millisecond before Greg Louganis' head made contact with a Seoul diving board. Buckland's hand-picked images in this five-ringed section, and across most other sections of the exhibition, include more than 60 Olympians or Games-related participants.
Carl Yarbrough, via Getty Images

Most breathtaking? Carl Yarbrough's mid-crash image of an airborne Hermann Maier competing in Nagano.

Most famous: Neil Leifer's overhead and ringside images of Muhammad Ali (see below).

One of the largest images on view is from London 2012's beach volleyball venue. The photographer, Donald Miralle, lined up center court just beneath a painter at his easel on the far side of the outdoor grandstand.

By chance, in the press room following Rio 2016's beach volleyball competition, I secured a photograph of the painting by that artist, whose name is Spens. For those who look closely at the images below, some may notice the canvas has grey speck, perhaps representing Miralle in the purple field atop the media seating area (in the photograph, Spens is visible above the window at center):
Donald Miralle, via Brooklyn Museum

Spens, photographed by Wolaver


Buckland's assorted selections reminded me of familiar sports images while introducing new material. I spotted fresh-to-my-eyes photos of Michael Jordan, Carl Lewis, Jesse Owens, Jackie Joyner-Kersee, Gabby Douglas and Dorothy Hamill.

Annie Leibovitz,
via ArtNet.com
Though a Leibovitz image of an Olympic and NBA star appeared (see left), I was surprised that none of the photographer's 1996 Olympic images made the cut. Readers of this blog may recall my half-day on set with Leibovitz in Colorado Springs detailed in this 2008 post.

My hunch -- that some of these sponsor-commissioned works may no longer be Leibovitz's to contribute -- was sort of affirmed in an email exchange with Buckland.

"I do know and like Annie's Atlanta Olympic photographs," wrote Buckland. "With her, there is always many to choose from but she isn't always ready to let an author pick his or her favorite. Saying that, I always loved this picture of Magic Johnson and so do the people visiting the show. I am very pleased that I had permission (with some difficulty) being allowed to reproduce it and exhibit it."

In the book I appreciated Buckland's inclusion of a "Technology Timeline by Nigel Russell" in which the history of sports photography is summarized by decade or year from the earliest image-capturing methods to digital works captured by drone-mounted lenses. Another handy appendix titled "The Beginnings of Sports Photography" takes readers from the first known sports portrait (featuring a posed tennis player) to high-speed action images as technology and the artistry of camera work advanced.

Tim Clayton, via Brooklyn Museum
The book also includes a bit more detail (building upon the wall text in the exhibition) about special approaches to sports photography, such as early underwater and other aquatic imagery.

"Who Shot Sports" remains on view at the Brooklyn Museum through January 8, and I highly recommend a trip to see the exhibition as well as checking out Buckland's book.

Book cover image provided by Brooklyn Museum. Two in-exhibition images below by Nicholas Wolaver.

Neil Leifer, via ArtNet.com
Herb Ritts, via Brooklyn Museum

Thursday, November 10, 2016

Leonard Cohen: That's No Way To Say Goodbye

Whoa -- what a week! My brain is still wrapping itself around election news, so my vote for now is to forgo a political post (notes on the president-elect and his victory coming soon).

At the end of a fun client dinner in Orlando on Thursday evening, I read the sad breaking news of Leonard Cohen -- a.k.a. the "godfather of gloom" and the "poet of pessimism" or "the prince of bummers" and composer of "music to slit your wrists to" (according to CTV's obituary) -- who died on Monday in Los Angeles.

Just last week, "Fresh Air" aired a critical review of the poet/singer/songwriter's latest release "You Want It Darker" and, man, it sounds like a Grammy contender (it is dumbfounding Cohen has all sorts of honors but does not have a single Grammy already).

The segment and dissection of some of Cohen's later life lyrics took me back to my introduction to the Canadian during the late 1990's -- at that time my Uncle Scott requested a CD copy of "The Best of Leonard Cohen" (the 1975 greatest hits compilation) and after one listen I was hooked!

Of course, hearing that CD helped me go back with a new appreciation for Cohen's "The Future" and "Waiting for the Miracle" (both aptly chosen for the soundtrack to "Natural Born Killers") and "Everybody Knows" (remade by Concrete Blonde).

When the 2010 Vancouver Winter Olympic opening ceremony rolled around and k.d. lang performed the heck out of "Hallelujah" there was not a dry eye in the dome, as noted in my post from just hours after the event (the previous year I also wrote about Cohen's literary work of the day). Here's the live Olympic broadcast:


In general, "favorites" are something to avoid, but one of Cohen's songs that made a great impression was "In My Secret Life," discovered in the music collection of my 2010 Winter Olympic apartment landlord (only a few days after the Opening Ceremony performance).

I smile when I'm angry, I cheat and I lie. I do what I have to do to get by. But I know what is wrong, and I know what is right. And I'd die for the truth In My Secret Life.

The simple guitar and storytelling in Cohen's cover of "The Partisan" also stuck with me.

But the Leonard tune that makes me most misty-eyed is "Hey, That's No Way To Say Goodbye" -- one of several songs used to describe the better parts of a 13-year long-distance relationship.

Last year, there was an opportunity to experience Leonard Cohen live in concert on his visit to Atlanta. Sadly, it was an event I chose to skip at the last minute, thinking "maybe next time he's in town." The new album release gave me hope that opportunity may come in 2017. Oh, well.

Borrowing from another of his works, "So Long, Marianne" (about which Cohen and his muse shared a remarkable correspondence, according to the Associated Press -- see last few paragraphs of this report), "You left when I told you I was curious. Did I ever say that I was brave? So long, [Leonard]. It's time that we began, to laugh and cry and cry and laugh about it all again."

Photos from various Leonard Cohen fan sites that did not provide attribution to original source material. 

Monday, November 7, 2016

With Her For 24 Years (And Counting)

Photo by Annie Leibovitz

Four years ago, on the approach to election eve, I made time to write about Mitt Romney's Olympic feats and political record that was not right, and too right, for me.

This year, this "rock the ballot" post comes from a first-time early voter, eager to explain more than 24 years of #ImWithHer support for Hillary Clinton.

Somewhere along the way, maybe in the late 1990's, someone (perhaps a character in a film, or a political science professor or friend) suggested folks "should never vote for someone they have not met." This struck me for options are generally very limited for plain folks to shake hands with every candidate, especially at The White House level. 

Good timing and good fortune afforded me not one by three personal interactions with Candidate Clinton, starting on October 30, 1992, when the future first lady Hillary stopped by my alma matter Mankato State University with Minnesota-born former Vice President Walter Mondale. 

Several thousand fellow students and I listened with interest to Mrs. Clinton in a gymnasium.

As inspiring and forward-thinking as she projected to the crowd, my vote went to Ross Perot in what was my first election experience. 

During Hillary's remarks, my friends Susan Sorenson and Heather White joined me in making our way to the stage, where we attempted a film "selfie" decades before pointing a camera at one's self earned that nickname.

If memory serves me, Susan got a high-five from Hillary while I attempted a close-up photo gone bad. 
Flash forward to winter 1993. Working to make good on their healthcare reform promises, both President and Mrs. Clinton made numerous return trips to Minnesota (then a model state for their ideas), and this guy was on the healthcare beat for the MSU Reporter newspaper.

No photos this time. Instead, my Hillary interaction came in the form of chasing her motorcade all over the Twin Cities, eventually earning a handshake after her appearance on KTSP-TV (my first time donning a press pass). She answered my question about healthcare, leaving me happy and impressed with her plans. 

Unfortunately, those plans did not come to pass and we had to wait two decades for healthcare reform. 

Photo by Simon Bruty/Getty Images
I did not have another opportunity to speak to Mrs. Clinton for nearly 20 years, but over time, her actions started to impress me. In 1995, she was graceful as First Lady helping the bereaved at the Oklahoma City bombing memorial service. 

In 1996, her motorcade passed my assigned zone at the Atlanta Olympic Village, and we saw her (on TV) in the neighboring Olympic Aquatic Center cheering on Team USA (sadly, she had more post-bombing duties in Georgia as well). 

Photo by Paul J. Richards
One of the most interesting photos of Hillary was published just a few days before news about Monica Lewinsky started -- the Clintons appeared dancing in a candid beach vacation photo, and the famous "Tammy Wynette" interview of 1992 seemed like ancient history for about a week. 

If folks asked me in 2000 whether the Clintons would remain married after the Gore:Bush election, my response generally was "no."

Simon & Schuster
As soon as the 1998-99 impeachment process played out, the dust settled, and Hillary announced her run for U.S. Senate, my knee-jerk reaction was that's why they're still married ... she is going to run for president someday

Listening to her Grammy-nominated audiobook for "Living History" reinforced these notions. 

Sure enough, she did. We all know how that panned out, with her eventual appointment to Secretary of State. 

I financially supported Mrs. Clinton's run with a modest donation in 2008, only to feel like it jinxed her run!

Which brings me to my most recent interaction with Mrs. Clinton. As noted on this blog post from the eve of Barack Obama's first inauguration, Hillary received honors from The King Center in Atlanta, and during remarks that evening, several speakers seemed to wish for and predict a Clinton For President run in 2016. 

Hearing the likes of the King Family, Ambassador Andrew Young and others praising Clinton sold me again on supporting her, and I have not looked back since. No Bernie for this guy. 

The recent screening of "Michael Moore In Trumpland" only reinforced my perspective: Hillary will make a great 45th president.

Now, some may ask, what about her opponent? I indirectly met Donald Trump as well when a handful of Edelman colleagues invited me to tag along for a Trump real estate event in Atlanta during early 2007. Most of my interaction was with his very smart, friendly and business savvy daughter, Ivanka -- I dig her. Donald was not shaking hands with anyone except potential investors, however, so the closest we got was 10 feet or so, but that was enough for me to surmise what was already my POV from his early days on "The Apprentice."

To wit: He was, and remains, pompous. 

That's obviously putting it lightly given the candidate's ever-growing list of crud

The whole scene with Ivanka, Donald, colleagues and I later appeared in the then-glamorous/now-defunct Peach Magazine (that's me with Ivanka and Donald to the left).

Like the magazine, Trump Atlanta plans vaporized once autumn 2008 rolled around, and I don't think the city saw Mr. Trump again until early this year on an election stopover. 

My views on innumerable issues match closely with Hillary's. I voted for her, and think you should, too.

Indulging in one Clinton political fantasy, imagine in Hillary's victory speech her announcement that after all the years of Bill's shenanigans, as part of her acceptance she's decided to announce her intention to divorce (haha -- no more worry over what title to give Bill in office). 

Photos by Nicholas Wolaver except where noted; topmost image by Annie Leibovitz.

Monday, October 24, 2016

Thumbs Up for Michael Moore In Trumpland


After a week of client work travel, last Friday night in Manhattan I decided to check out a new film released last Tuesday.

The title: "Michael Moore In Trumpland." 

Image via Dog Eat Dog Films
The venue: IFC Center in Greenwich Village. 

I first learned about Moore's latest work through the Oscar-winning filmmaker's Facebook page, a favorable criticism in The New York Times and a rave review in New Yorker magazine. 

Informed by these appraisals, expectations were high but in check. 

Moore is one of my all-time favorites -- it's tough to beat the documentary power of the Pets or Meat scenes in "Roger & Me" or the emotional wallop of the Flint, Mich., kindergarten shooting in "Bowling For Columbine." 

One of the last films my mother and I watched together before her ALZ diagnosis was "Fahrenheit 9/11" and during a shared trip to Washington in early 2007 we both screamed/jeered in the direction of The White House, inspired by and much like the film's distraught military mother, Lila Lipscomb, who lost her son in the Iraq War. 

Moore's autobiography (specifically his narration of the audiobook version) is a highlight from several road trips to and from Oklahoma. I'd be delighted if Moore would turn his documentary lens in the direction of the Olympic movement like other great (and sports-minded) documentarians Leni Riefenstahl and Bud Greenspan. 

So, when the couple beside me at IFC Center mentioned they "heard Michael might actually be here" it was exciting. Would he show up?

There was barely time to build anticipation for only a minute later ... there he was! From my seventh row and center seat, I had a clear view of Moore's introduction by the theatre's manager. 

Moore spoke to the audience for about 10 minutes, pausing only to make sure his mobile phone live stream to a theatre in his home state of Michigan was still on the line. The IFC manager held Moore's phone aloft while Moore described the short journey taken to complete his "Trumpland" project.

My eight minute audio recording of his remarks includes a few gems:

"By the end of Thursday, over 100 theatres in 100 cities called us wanting this film in their theatres, so we're gonna make it happen," said Moore. Here's hoping this film will be available in wide release by this coming Friday.

This enthusiastic response was the result of "a zero-inch ad" in The New York Times, indicative that only publicity and buzz is taking this film for a rocket ship ride.  

"To paraphrase Barack Obama, I think one of the things that will save the cinema is if we all have more fierce sense of urgency about it," said Moore. "I really learned a lot in these two weeks about what you can do. No, you are not going to see a lot of car chases or a lot of production value, but this great art form ... especially with documentary, there is nothing wrong with being entertained and to laugh while we are learning."

Moore then explained the timing of the project.

"I did something I had not done before, which is to film myself in a one-man show I wrote. I spent time writing it much of this year."

Moore went on to explain his team secured funding then a performance venue in an Ohio town only to learn the right-minded political machine voted them out of the community. By dumb luck or divine intervention, the team eventually found a new venue in nearby Clinton County and got things moving again, eventually booking "about 750 people" for the live audience. 

"Probably about a hundred, 150 of them are leaning toward Trump," said Moore. "Another couple hundred were people who were thinking of not voting or voting third party."

Additional insights are included in the brief video I captured during Moore's unscripted remarks:


But what of the film itself? Would it live up to the hype spreading online? 

"Let us know what you think of the movie," wrote one of my cousins, in response to my elated Facebook posts from Moore's appearance. 

Image via Dog Eat Dog Films
For this viewer and writer, "Michael Moore In Trumpland" may not be Moore's best work, or his most popular (though opening week stats indicate it's rising like a bullet in cinema stats for documentaries). But I do think it is Moore's most timely, and though its rushed assembly leaves a few rough edges, this film is a crowd pleaser bound to earn a lot of thoughtful discussion and accolades. 

As noted in the aforementioned New York Times review, "Trumpland" is not so much about the real estate tycoon turned presidential candidate. Rather, the name is derived from the Ohio farmland awash in pro-Trump signage as Moore's crew arrived in The Buckeye State. 

What's missing from the new film are the fun soundtrack elements, stock footage and quirky visual setups that typically bring chuckles across Moore's work. There's no cartoon describing "A Brief History of the United States."

But that's OK! Instead of these elements, Moore cleverly establishes a rapport with the Ohio audience, quickly admitting that -- in spite of several floor-to-ceiling photos of a youthful Hillary Clinton as the main stage decorations -- he is not a Hillary fan, but rather a die-hard supporter of Bernie Sanders who had to come to terms with a different candidate earning his party's nomination (like most of, say, the audience members, regardless of their party).

In place of the grin-worthy video clips, Moore sets up two big laughs by introducing the audience members sent to the segregated balcony attendees. On one half of the upper floors, Hispanics are walled in by cardboard bricks, while to their right are several Americans of Middle Eastern descent who have their own "security drone" hovering in the rafters as an eye-in-the-sky protector of all other audience members. 

I don't want to spoil one of the most poignant moments of the film, so let's just say a very surprising Hillary supporter makes a cameo appearance that left my New York theatre audience, and the Ohio attendees in the film, audibly gasping (perhaps worth the entire price of admission). From here Moore goes to work building a case, much like that faux-brick wall upstairs, reasoning why more voters should give Mrs. Clinton serious consideration before Nov. 8. Moore makes this case very succinctly and without put downs nor yelling about her opponents. And his crescendo that calls out many of Hillary's worst "crimes" again and again is hysterical. 

Image via Dog Eat Dog Films
Like many of Moore's other documentaries, "Trumpland" is a thinking persons' film; it's not for everyone, but like "Bowling For Columbine" or "Sicko" and "Where To Invade Next" it is perhaps intended for everyone and should be entertaining and informative for anyone with the same open mind they profess to possess.

I found myself disagreeing with Moore more often during this film than some of his previous work, but "Trumpland" earned my respect for its ability to inform without insulting its opposition. Perhaps Moore does not write as sharply as Aaron Sorkin in "The American President" or "The West Wing" but Michael does play in the same ballpark as, say, Sorkin's monologue for "Newsroom." 

Should folks see "Michael Moore In Trumpland" soon, before the election? Absolutely! And I hope they savor and enjoy it, but more importantly, talk about it with friends, co-workers or anyone planning to vote. 

After the film I asked the theatre manager to share Moore's publicist details, and submitted a phone interview request. No response so far, but I'm ready with a few questions should that welcome call arrive. 

Photos by Nicholas Wolaver unless otherwise captioned for Dog Eat Dog Films.

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