Citius Altius Fortius ... Simultaneous

The Olympic Motto Citius Altius Fortius always had a nice ring to it.  I like Friday night's addition: Simultaneous.

Faster Higher Stronger Together was just one of several takeaways inspiring reflection since Tokyo's moving if muted Olympic opening ceremony. 

Like most of the world sidelined by the pandemic-enforced spectator ban, my "attendance" this time was via home viewing both through NBC's live morning broadcast and the heavily-editing evening rerun. 

There are many elements of the ceremony this five-ring-inspired writer loved (in no particular order):

• Olympic rings constructed of wood harvested from trees planted when athletes of the Tokyo 1964 Olympics brought seeds to the Games 57 years ago. The portable "Olympic Village" structures also provided a great surface for tap dancing

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  An original and marvelously elaborate dress by fashion designer Tomo Koizumi worn during the Japan national anthem performance by Misia, a nod to LGBQT inclusion (see photo below)

• Olympic drones -- more than 1,800 of them -- provided by Intel as announced in their June 2017 Worldwide Partnership press event. Loved what they achieved over Tokyo Olympic Stadium (a giant leap from the weather-sidelined debut in PyeongChang)

• Minimally-intrusive narration and commentary by NBC hosts Savannah Guthrie and Mike Tirico (this was my first time watching a live opening on TV since 1992, and they did a great job sharing facts while knowing when to let moments unfurl on their own)

• Kinetic pictograms from Tokyo 1964 to the brilliant live performance of their 2020 edition

• Another innovative and original Olympic cauldron design (see video at base of this post)

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  Jazz-scored comedic video of a control room operator illuminating Tokyo Olympic venues before casting a spotlight on live performers including a knockout piano solo by Hiromi Uehara

• Parade of nations camera work that generally placed athletes much closer to viewers (close enough to count Olympic pins on their lanyards and lapels or see the smiles in their eyes on their mask-covered faces)

• Release of digital projection and paper doves set to a new-to-my-ears version of "Wings To Fly" in a recorded performance by Susan Boyle, who affirmed via Twitter "it was a true honour to be asked by the #TokyoOlympics to use by song ... during the dove release."

There were also a few head-scratchers:

• Final torchbearers entered the stadium accompanied by Maurice Ravel's "Bolero," perhaps foreshadowing the matching hairstyles of Naomi Osaka and Bo Derek as seen in the comedy "10" (which famously relied on the same music for a memorable effect)

• Yet another Olympic ceremony (the third or fourth) featuring John Lennon's "Imagine" -- I like the song, and it was certainly appropriate (maybe more now than in past ceremonies), but it's getting overplayed (would have welcomed/preferred an original song to inspire togetherness)

• While NBC aptly cut much of IOC President Thomas Bach's long-winded speech for their evening broadcast, WTF was that weird and unnecessary promo reel featuring "The Rock" Johnson (other than another delay to Team USA entering the stadium)? The promo added more time and had no messages worthy of viewer attention. Ridiculous!

A couple of hours after the live broadcast, the IOC press office distributed the full text of Bach's remarks. While the speech would have benefited from many edits for brevity, his positive messages resonated with me. 

As armchair quarterback, I'd have substituted "solidarity" with "togetherness" to strengthen the point. We still needed Bach not The Rock!

And while no breaths were held waiting for Bach to do so, I was secretly hoping he might drop in a stern message to anyone in the world with vaccine access not choosing to get vaccinated. 

"Get vaccinated, dummies!" would have had a nice ring to it. 

Photos via Reuters, Getty Images, AFP/Getty Images and China News. Video via Reuters.