Thoughts on the Opening Ceremony Experience

It's four days past the London Olympic Opening Ceremonies, and words are still not easily found to describe the experience. Of course, it was a wonderful ceremony. But it was so different on several levels, and my reactions varied greatly from one portion to the next.

Entering the venue, I learned early on one major difference from past Opening Ceremonies. Most likely due to austerity considerations, the seats for attendees included no kit, no program, no pins. Nothing. This was a disappointment -- Opening Ceremony kits are a coveted prize of past Games!

How better to Ebay the experience, my dear?

Shaking off the sticker shock for official programs, priced at 15 pounds (!!!), settling into my original seat in the 222 section, I did enjoy the massive green field of play symbolizing the Isles of Wonder. In case NBC cut it, during the countdown sequence, there were live sheep, ducks, geese and horses with May Pole players on the British "island" in the center of the stadium. Audience members participated by "silking" the stands with massive blue silks creating water around the grand stage.

The massive bell featuring Shakespeare's quote from The Tempest -- "Be not afeard: the isle is full of noises" -- hung just a few row below my seat, and in the one-sheet run-of-show provided to spectators, I learned this bell will remain for posterity to be run in the year 2212 with a message from its creators commenting on the recent infancy of the World Wide Web, invented by British-born scientist Tim Berners-Lee, who said "This Is For Everyone" (the theme of the evening). Clever!

Other segments to love: The opening "Journey along the Thames" video, the "Green and Pleasant Land" countryside show on the British meadow, the songs from the Four Nations, Kenneth Branagh acting as a leading engineer (Branagh was the first of several predicted performers from my pre-ceremony post), and the transformation into "Pandemonium" and The Age of Industry (as described in the ceremony media guide).

I was delighted by the Olympic rings -- one forged by iron workers on the stadium floor -- took flight and rained gorgeous gold fireworks. Best rings arrival since Torino.

Also loved the pixel screens, which volunteers taught the audience to use during the countdown. This is the modern version of the flag cards famously unveiled by the spectators at the Los Angeles Opening Ceremony in 1984.

Paraphrasing a friend's friend via Facebook comment, I could have done without the tribute to socialized medicine. From my seat, the "big baby" did not appear as as such. Blowing bubbles was a good idea but not easy to appreciate outside of the venue (nor inside). The 3D glasses did not enhance a thing (and why not brand the glasses with Games logos?).

But Rowan Atkinson's performance set to "Chariots of Fire" was perfect. And the montage of music and TV via the BBC went over well (more Annie Lennox next time, please). I found myself awaiting Morissey's lyrics "There is a light that never goes out" for the arrival of the torch and cauldron, but the song's somber themes would not have played well.

I really did love the solo performance of "Abide With Me" sung by Emeli Sande. The modern dance segment was beautiful, and it struck me as the largest dance in opening ceremony memory. What a bloody shame NBC cut this (see my July 28 post for more on this segment).

It was brilliant to play tribute to the July 7 bombing victims with a memorial video (set to my favorite Brian Eno tune) ... why not add a brief remembrance for all Olympic Family members at future opening ceremonies (this would have easily covered the Munich 1972 victims and Olympic Family/IOC members lost in this Olympiad)?

The arrival of a record 204 national Olympic committees gave me time to grab dinner, trade a few pins and ... wait for it ... UPGRADE MY SEAT. With a wink, a flash of an unaccredited media badge, and a camera, I found myself on row 10 in section 124, this time under the stage right area of the big Olympic bell and platform for Sir Paul McCartney's performance.

As luck had it, I sat only a few seats from just about every living Team GB Olympic medal winner, and enjoyed a much closer view of the athlete parade including Usain Bolt/Jamaica, Team USA, Team GB and many more (I arrived during the letter "H").

The "dove bikes" were cool.

Much was made of the Queen's arrival with the James Bond actor Daniel Craig. Jolly good show! The only improvement I'd suggest ... perhaps Her Majesty could have high-fived the other living James Bond actors en route to the helicopter, or Sean Connery could have been revealed as the pilot.

I searched with loaned binoculars but did not yet spot the newlywed Royals, who I hope to see at beach volleyball or gymnastics.

For me, the more I learn about the Olympic cauldron, the better it gets. In the media section of the stadium after the event, the TODAY Show's Meredith Viera told me the delegations each carried in a bit of the cauldron that was attached (it was a bean- or melon-like chrome piece about the size of a football), which volunteers attached to the cauldron before it was ignited (Viera stated these pieces go back to each participating nation after the Games).

But it was, in my opinion, an oversight to permit its display out of public view. Vancouver got this right with two cauldrons in the Olympic city.

And inviting unknown youth to ignite the cauldron ... zzzzzzzzzzz ... (been there done that with the little girl who lit the cauldron in Calgary).

There are many things to love about the London Olympic Opening Ceremony and I will always cherish the experience. There is a light that never goes out, indeed.

Photos by Nicholas Wolaver

NBC Cuts London Opening Ceremony's Iconic Dance Segment by Akram Khan

The plan today includes blogging about last night's London Olympic Opening Ceremony and my experience there. This remains part of the plan, but a detour just occurred at press conference attended at the London Media Centre.

The press conference included a surprising revelation that apparently went missed at a similar press event in the LOCOG (London organizing committee) Main Press Center and International Broadcast Center earlier today. The details is picking up steam online, and here's my contribution to the discussion.

Last night, fans in the stadium and television viewers in the U.K., China and most other corners of the globe enjoyed a moving dance performance serenaded by Emeli Sandé singing "Abide With Me," a popular hymn in the U.K. Like Pavarotti's performance in the Torino opening ceremony, or the drummer session of the Beijing opening, this dance segment was an iconic portion not to be missed.

Folks in the USA apparently missed it, however, as NBC cut this portion from their time-delayed broadcast. For shame!

The LMC session featured Akram Khan, the internationally acclaimed dance choreographer, flanked by Farooq Chaudhry -- a director in Khan's company -- and Alan Yentob of the BBC. Khan was hand-picked by Danny Boyle to create the aforementioned original dance segment to the London Olympic Opening Ceremony, and Khan delivered what I believe is the longest and best dance element to any Olympic opening event. It was beautiful, made all the better with Sandé's soothing voice.

Most of the questions at the LMC press event were standard, and Khan -- who turns 38 on Sunday -- shared some fun facts from behind-the-scenes. For instance, he explained a Goldilocks-like selection process for the segment's 11 year old boy (the first to audition was too chubby, the second was too athletic, but they eventually found a kid who was just right). When pressed by Chinese media asking for comparisons to the 2008 opening ceremony, Khan took the high road offering that each opening ceremony brought out the best of the host nation in its own way.

Khan also talked about the decision to use dust as a key prop (an element instilling a sense of memory) and when asked by this blogger about what Olympic moments may have inspired last night's segment, Khan said he suffered a leg injury and his physical therapist encouraged him to watch Olympians to see how their training might aid in Khan's recovery (Khan noted Michael Phelps and Usain Bolt among those he watched).

Then a surprising question popped up from an American reporter in the room (wishing I caught his name so I could credit him here). The reporter asked Khan for his reaction to the news that NBC did not air the dance segment in the USA.

Khan was silent, then he explained to the room and the reporter that this was the first he heard this news. You could see Khan was upset, stunned, shaken and disappointed all in an instant. But again he took the high road and did not express detailed feelings at first, taking in the news.

At this moment, Khan's colleague Chaudhry said he had just learned the news moments before the press conference and that it was disappointing since their dance company has such a following in the USA.

After fielding other questions, I asked Khan to provide his reaction now that he had 15 minutes to process it. His full response is on the video with this post, and via this link. Briefly, his initial response was, "I feel disheartened and disappointed." Chaudhry added his own take on the disappointment in the video.

After the press event, I asked Chaudhry to comment further and he said, "It's disgraceful U.S. media could make that decision and [I] would like to know why."

It is worth noting that, as shown in the video, neither Khan nor Chaudhry expressed anger during and after the press event. It was more of a downer for which they simply wish to know "Why?"

I asked some Italian journalists in the London Media Center, "What reaction would Italians have if NBC cut Pavarotti from the Torino Opening Ceremony?" and they answered, "That would be bad. A scandal!" I asked the same of a China media journalist who responded, "I think people [in China] would want to know why they did that."

I concur. I would like to know why NBC made this decision (I have a few hunches if anyone asks nicely).

Though it is unlikely a response from NBC will be possible any time soon, I will inquire with NBC about this question and post any response. During the IOC Conference on Women and Sport earlier this year, a very senior NBC producer answered my questions about Olympic broadcast decisions made by the network, and I suspect she has the answer if I can reach her about the Khan question as to why the dance segment was cut.

In the meantime, I am interested in others' reactions to the apparent decision by NBC to cut the dance segment from the London Olympic Opening Ceremony from their broadcast. It is my understanding (though unverified as of this initial post) that NBC also cut a segment commemorating the July 7 tragedy in London (which occurred the morning after London won the 2012 Olympic bid). More on that later.

UPDATE AT 9:40 PM LONDON: There is a post on Deadspin.com with a link to the BBC footage of the Khan segment. As an audience member in the stadium, I can tell you that the ceremony included a July 7 Tribute video on which July 7 victim photos were shown while a Brian Eno track "An Ending (Ascent)" played -- an appropriate selection. This was separate from (though happened to be the transition to) the Khan dance segment. The Khan segment was not related directly to July 7 (the 2005 day on which several Londoners died on the morning after London won the 2012 Olympic bid). Rather, Khan's segment was more about memory, mortality and dreams for which he leaves interpretation to the audience.

Also of note: Khan's dance company will tour the U.S. with stops in New York, Los Angeles, Irvine, Calif., and Santa Barbara, Calif., during October. Visit www.akramkhancompany.net/html/akram_calendar.php for more details.

Photos from LMC by Nicholas Wolaver. Photo of Khan pointing/performing by Richard Haughton via Akram Khan Company. Photos from Opening Ceremony by Associated Press photographers Ivan Sekretarev/AP and Jae C. Hong/AP via DenverPost.com