Rock & Roll Ruhmeshalle Ruminations

Ruhmeshalle -- the world's original hall of fame circa 1853 -- was not at all on my radar during 2009, 2018 and twice in 2022 travels to Munich. 

According to online sources, the structure near the city's center endured terrible damage during WWII, with a multi-year restoration completed in time for the 1972 Olympics. 

At a glance I love the busts of individuals immortalized for their achievements and contributions to society and the world. There's also proximity to the Oktoberfest grounds to explore. 

Learning this history only since returning from Germany in September, Ruhmeshalle now tops the personal "must-see" list for the next Bavarian visit.

A more contemporary hall of renown was often on my mind this summer as the Rock & Roll Hall of Fame in Cleveland announced its 2022 induction class. 

One glance at the honorees list (see below) instantaneously elevated ticketing research from "interested" to "must attend" status. 

Quite simply, they had me at Eurythmics. 

The journey to confirm a seat at the Nov. 5 ceremony proved surprisingly simple, easily achieved from the home office:

1. Buy a Rock & Roll HOF membership (bargain-priced at $50)
2. Await induction event deets and member online presale (encircled on calendar with red Sharpie)
3. Endure nail-biting on sale hour eventually picking up a single balcony ticket ($250+ fees), a preamble of sorts to what Taylor Swift ticket seekers apparently endured earlier this week
4. Book travel to LA noting the local destination: Microsoft Theater at LA Live

Here's a peek at walking into the venue about 15 minutes before showtime:

The in-person experience -- over 5.5 hours of music and speeches -- proved to be well worth the effort and expense, which also included a bargain-priced Hotels.com reservation at the downtown Biltmore and pre-show/poolside Tuscan feast at Sparrow. 

It shall be interesting to learn what show elements make the cut when HBO premieres the edited event broadcast Nov. 19. 

Will it be a two or three hour showcase? We shall see. 

No matter, now 13 days since the big night, I am still processing many aspects of the experience. 

Inductees, my personal fandom notes, and live ceremony highlights to watch for on HBO include:

• Eurythmics, whose album "Touch" was my very first music purchase for a penny, thanks to a fellow fifth grader answering a music club newspaper ad. The Edge from U2 introduced the duo with a rousing and aptly activism-charged speech before Annie Lennox and Dave Stewart brought down the house with "Would I Lie to You?" then "Missionary Man" and "Sweet Dreams (Are Made of This)." Finally experiencing the band live was indeed sweet. 

• Duran Duran, another British pop group that captivated me as much in the 1990s as their earlier hits "A View to a Kill" and "Rio," appealed greatly. Hearing their "Save A Prayer" during a Torino 2006 Olympic workday in Italy rekindled interest and they've been a favorite since. Their induction by Robert Downey Jr. and performance of "Girls on Film" (which had an audio false start) with "Hungry Like the Wolf" and "Ordinary World" built upon high energy experienced while attending their recent tour stop at Madison Square Garden. They punctuated their acceptance speech reading an open letter from absent bandmate Andy Taylor, who disclosed four years of treatment for prostate cancer. 

• Dolly Parton, whom I had seen perform live at two client events and one concert, lightened the evening as she had at previous events. When provided the opportunity to ask her Olympic interests in 2009, for instance, she smiled and admitted to none while cheerfully telling me, "It was sweet of you to ask!" I found it heartwarming that Brandy Carlile and P!nk performed "Coat of Many Colors" while Parton changed outfits to debut a new song and close out the evening with most of the other inductees. 

• 
  Lionel Richie, who performed in Atlanta at a client venue in the early 2000s where my boss opted to work that evening, so I missed the meet and greet and ever since have truly wanted to ask him about performing "All Night Long" at the 1984 Los Angeles Olympic closing ceremony, which was referenced a time or two in his HOF induction video. On Nov. 5, he performed this hit as well as "Hello" and "Easy" which left me wondering why a duet rendition of "Endlesslove" with one of the female inductees went unsung. 

• Terry Lewis and Jimmy Jam, who was building a massive Lake Minnetonka mansion west of the Twin Cities when I visited a Minnesota friend in 1991. I walked through the construction site including a tour bus garage (on Google Maps it's on Hardscrabble Circle in Mound, Minn.). Loved LOVED that Janet Jackson welcomed these collaborators into the HOF with one of the best speeches of the evening. 

• Carly Simon, another James Bond soundtrack singer ("Nobody Does It Better"), unfortunately did not attend nor perform following the recent loss of two sisters. However, reliable crowd-pleaser Olivia Rodrigo sang "You're So Vain" in her absence. 

• 
  Eminem, a.k.a. The Real Slim Shady, a.k.a. another huge performer yet to be experienced live, rocked one of the longest sets including new-to-my-ears "Rap God" followed by "Stan" with Ed Sheeran subbing for Dido then a commanding performance of "Forever" with Dr. Dre, his mentor-turned-HOF inductor. In his acceptance speech, Mr. Mathers described an overdose that nearly killed him, later listing with appreciation dozens if not hundreds of acts who inspired him. 

• Pat Benatar and her husband Neil Giraldo, yet another iconic act from my earliest radio days, performing "Love is a Battlefield" bookended with "All Fired Up" and "Heartbreaker"

• Harry Belafonte, now 95, still another musical legend and longtime favorite, did not appear but was heralded for early achievements in the history of rock'n'roll. I also learned a bit of history from the producer and lawyer inductees in this year's class. 

Perhaps the biggest overall surprise for me was how much I enjoyed the presentations and performance by Judas Priest, a band with which there was little past connection. 

Alice Cooper emerging for the speech, combined with the digital flames engulfing the stage during "Breaking the Law" got me fist pumping and dancing.  

Would I attend another induction? Maybe, depending on the right mix of musicians and the extent to which they resonate personally. Would I return to Cleveland to see the new 2022 inductee display? Absolutely! And anyone in or heading to Ohio may also enjoy the lakeside experience beneath the I.M. Pei pyramid. 

Photos by Nicholas Wolaver except Lionel Richie 1984 photo via Associated Press and Eminem photo via Getty Images for the Rock and Roll Hall of Fame, which also is the credit for the Judas Priest/Alice Cooper and Janet Jackson images.

With All This Talk About Motown ...

In the wake of Michael Jackson's death, the [usual for a celebrity of his calibre] cavalcade of tribute programming is flashing on the TV.

I've heard more about Motown and Detroit in the last 48 hours than perhaps the last year, save the near-daily news updates about the challenges faced by the U.S. auto industry.

With all this talk about Motown, and also thanks to a recent refresher course in online search techniques, this week I stumbled upon a handful of blogs mentioning a lengthy promotional video created in Detroit for the city's failed Olympic bid for the 1968 Summer Olympic Games.

I first heard about Detroit's Olympic aspirations while connecting on flights to and from Beijing last summer. Must admit, asked myself "for the summer Games, or winter?"

As pointed out by http://www.autoblog.com/ in their June 15 post, this summer Olympic bid film fails on several fronts. In addition to leaving out any mention of the Motown music industry, there are some surprising (albeit indicative of the era in which it was filmed) elements that were intended to showcase the city's diversity (unfortunately, shifted into an incorrect gear a time or two).

Another manner in which this film backfired: It is just plain boring!

C'mon! Even President Kennedy (around the 15 minute mark in the film) looks bored out of his mind reading a prepared statement to the voting members at the IOC Session. His gruff closing "thank you" is perhaps telling of where the bid fit in his list of priorities.

I expect members of the International Olympic Committee selection team for 1968 kept copies of this film on the ready in case of acute insomnia. The narration does not at all convey whatever "excitement" the city had for hosting the Games. Even newsreels of earlier times, whether true or fictional, had more pep. I'm anxious to find a copy of Mexico City's Olympic bid film for a comparison.

Fortunately, in spite of losing to Mexico's capital for the 1968 Olympic duties, some of Detroit's hometown auto brands did go on to sponsor the Olympic Movement in gigantic ways. I still remember spotting the auto industry Olympic ads during the 1980s.

During the summer of 1989, while volunteering for the U.S. Olympic Festival coming to Oklahoma City, I was part of a team of 100 or so drivers who created an Olympic photo opp involving 100 new cars from the General Motors plant in OKC (one of many P.R. moves learned in my pre-public relations career days). We parked 100 cars -- each clad with "OLYMPIC" Oklahoma license plates -- in the car plant's parking lot to arrange an "OK89" logo visible from local news helicopters.

GM also sponsored the Olympics (as do other import car brands) throughout the last several years, until they nixed global sponsorship (again, back to http://www.autoblog.com/).

Except by living vicariously through Michael Moore's great documentary films (new release on Oct. 2, the same day of the IOC vote for 2016), KISS songs (which reminds me, check out the REAL "Rock City," a former Edelman client of mine, here), Eminem's big screen debut (yo!), a popular Harrison Ford murder mystery film, and aforementioned Michael Jackson videos, I've only experienced Detroit via the city's modern airport -- there's no better spot for a pre-flight margarita than Detroit's vast international terminal (though the south of the border restaurant in LAX's Tom Bradley International Terminal gives DTW a run for it's money). I do hope to explore Detroit's architecture and cultural hubs -- some mentioned in the Olympic bid film -- and visit Detroit in the future.

Would like to think Detroit's non-selection as the first Great Lakes candidate will only contribute to Chicago's 2016 Olympic bid success. Fortunately, the Chicago 2016 Olympic bid videos feature a bit more excitement and drive (as does President Obama's pitch video for the bid)!

(photo cropped from image similar to one at http://olympianartifacts.com/ and via pages of "The Perlow Guide to Olympic Bid Pins")