Fleet of Foot Film "AIR" Scores Big with Olympic Nods and Matt Damon/Viola Davis Bank Shots

Cinephiles and sports fans of all shoe sizes may revel that "AIR" -- the new Nike-centric feature directed by Ben Affleck -- scores with almost nothing but net on the big screen. 

The fast-paced crowd pleaser centers on a few autumn '84 days when the global sports equipment brand courted then-recent Olympic gold medalist Michael Jordan as the era's B-ball shoe stalwarts Converse and Adidas also pursued the rising star. 

Much like the basketball legend approaching his rookie NBA season, screenwriting newcomer Alex Convery weaves great storytelling with compelling dialogue peppered with light-hearted moments and inspiring monologues. 

The clear scene stealer is Viola Davis as Jordan's mother, one of several dealmakers including Nike's Michael Knight (Affleck), marketer (Jason Bateman), VP of athlete relations (Chris Tucker) and salesman Sonny Vaccaro (Matt Damon) who ultimately must convince the Jordan family of the potential to write history for professional athletes, sports apparel and other industries touched by the world's all-time greatest basketball player.

Several moments of Davis' performance brought to mind her Oscar-nominated role holding her own with Meryl Streep in "Doubt," this time matching wits with Damon while they both circumvent a seasoned and, at times, slippery sports agent David Falk (Chris Messina). 

Damon's Vaccaro channels some of his best elements from "The Informant!" with a more ample, chuckle-inducing spare tire. Affleck as a bearded Knight (like "Argo") and Tucker (a la "Silver Linings Playbook") also shine, as does Marlon Wayans as LA84's golden Team USA Assistant Coach George Raveling. 

Affleck & Co. included a few five-ringed Easter eggs throughout the film, including an authentic looking Olympic gold medal and cauldron mosaic as set pieces of Adidas' German HQ. The film's climax also pops with archival Dream Team footage of Jordan on Barcelona's courts. 

The shoe lab scenes, which tee up the original design and naming of Air Jordans while introducing shoe designer Peter Moore (Matthew Maher) also resonate, and discovering a cameo by a personal favorite actress, Barbara Sukowa, this time as an heiress to the Adidas brand (reminiscent of her role in "Europa" a.k.a. "Zentropa"), also proved fun, especially when juxtaposed with cool cucumber Davis across the boardroom table. 

One fact-checked Achilles' heel, however, is the assortment of timing issues that play in the ample (and excellent) soundtrack, hand-picked by Affleck, according to published reports. 

I lost count of songs -- starting with "Money for Nothing" during the opening credits -- that are hits that only existed months after the October 1984 story (DUH! Dire Straits' first smash landed in June 1985, and Mike + The Mechanics' "All I Need Is A Miracle" arrived, for better or worse, as a 1986 single). According to one report, I'm not alone in wondering why the Olympic year's hitmakers Madonna, Prince and the other M.J. went missing (at least Van Halen's omission was explained). 

These errors are forgivable, however, given the wealth of other strong selections including The Alan Parsons Project, Big Country, Bruce Springsteen, The Clash, Tangerine Dream and Cyndi Lauper, though I questioned the choice of her "Time After Time" over "Money Changes Everything" given the portrayed financial stakes for all of the film's main characters. 

The other, less-forgivable error is the preposterous scene in which Vacarro calls Knight from a rental car phone in rural North Carolina. Yes, car phones existed in 1984, but from this blogger's perspective, it is doubtful that Avis, Hertz or any other rental company offered such expensive equipment in their fleets of any year in that decade (or ever). 

But these minor flaws are easy to overlook. What's apparent in "AIR" is that Affleck, Damon and the team had fun while fine-tuning their craft. Alley-oops abound, and just like Mike, this story makes us want to fly. 

Photos via Amazon Studios and Ana Carballosa/Prime

High Museum Missteps With Rise of Sneaker Culture

In recent years, I've been to three presentations by Michael Shapiro, the High Museum of Art's executive director from 2000 through July 2015. For the sake of disclosure, the High was a public relations client in 2005 and again from 2012 to 2015.

At all three of Shapiro's speeches, he stated the 1996 Cultural Olympiad exhibition "Rings: Five Passions of World Art" -- which the High presented during Atlanta's Olympics -- marked a major milestone and critical turning point (for the better) for the Southeast's premier museum of art. 

Shapiro's and his peer's remarks echo in news reports and in general Atlanta arts conversations; it seems that most people agree that "Rings" put the High on the map of art museums with which to be reckoned. 

Given this summer's 20th anniversary for both Atlanta's Games and the High's main ascension point, I thought for certain a commemoration might take place in step with next week's party for all things Olympic in Atlanta. 

And when the museum announced "Out of the Box: The Rise of the Sneaker Culture" as this summer's main exhibition, an Olympic or "Rings" commemoration seemed even closer to "shoe-in" status.

Sadly, upon finally visiting the exhibition yesterday, the certainty unlaced.

And the museum's lack of promotion for the exhibition's many five-ringed connections seems like a big-time missed opportunity (insert grating, high-pitched squeaks of rubber smudging basketball courts here).

Before shoehorning the good parts of "The Rise of Sneaker Culture" below, it's worth mentioning the lack of Olympic promotion rests not entirely at the High's feet. 

The exhibition is on tour, arriving from its source curators of the Bata Shoe Museum in Toronto by way of the first U.S. presentation at The Brooklyn Museum in New York last fall, and a winter stop at Ohio's Toledo Museum of Art. 

Much of the exhibition's content -- such as a 256-page catalog or the wall text (in this exhibition, at the toe or heel of each shoe's display space in horizontal glass cases) -- was written by non-Atlantans with less knowledge of Georgia's capital or the High's Olympic legacies.

Though the catalog is beautiful and chock-full of interesting facts, figures, specially-written contributions and gorgeous photos, the Olympic notes are riddled with copy errors. 

Specifically, on page 79 the section author, Bata Shoe Museum Senior Curator Elizabeth Semmelhack, incorrectly referenced "Gold medalist Heinz Fütterer ran in Pumas at the 1954 Olympics" (Fütterer golds were earned at the world championships in 1954, a non-Olympic year, and he won a team relay bronze at Melbourne's 1956 Olympiad).

More surprising: Beside of color photo of Mexico City Olympians Tommie Smith and John Carlos barefoot on the medal stand beside their suede Pumas, the author incorrectly reports that "At the medal ceremony, both athletes too off their black Suedes"

Somewhere, Elvis is joining me in musically admonishing Semmelhack because the photo has "blue, blue, blue suede shoes, baby!"

In the High, there's no mention of Smith nor Carlos and their iconic Olympic moment. Rather, the Suede Puma sample appears beside an signed orange version with the autograph of Atlanta-born NBA star Walt "Clyde" Frazier. Unmentioned in the catalog and exhibition: In 2008, Smith reportedly gave one of his 1968 Pumas to Usain Bolt as a birthday gift. 

The catalog copy errors hop over to page 218 with a reference to "Mohammad Ali" (it's Muhammad, thank u) as the inspiration for a rare Adidas sneaker design. 

Skip back to page 54 for a reference to Jesse Owens as "the winningest Olympian" up to 1936 (Finland's Paavo Nurmi won nine gold medals from 1920 to 1928).

Jump to the same page photo cutline to find it erroneously states Owens was "the first athlete to receive four gold medals in the Olympic Games" (Nurmi earned five golds at Paris in 1924). Does the researcher for this section still have a job?

Fortunately, here's what the exhibition gets right:

-- Display of a 1936 shoe like those presented to Owens in Berlin by Adolf "Adi" Dassler, founder of Adidas and brother of Puma founder Rudolph Dassler; I noticed more visitors stopped to study this shoe in detail, and one person even remembered the shoe scene depicted in the recent Owens biopic "Race"

-- Showcase of the aforementioned 1968 Puma blue Suede style akin to what Team USA gave Smith and Carlos in Mexico City. This shoe really does look cool

-- Numerous Nike and Air Jordan brand shoes donned by Michael Jordan just after his 1984 Olympic debut and later when he played for the Dream Team in 1992

-- Michael Johnson's gold Nike track spikes tailored to his specifications (one is a half-size larger than the other), worn at Atlanta Olympic Stadium 20 years ago

-- Autographed Fila Grant Hill II shoe worn in play at the 1996 Olympics at the Georgia Dome

-- Numerous other designs celebrating and mentioning Olympic basketball players Patrick Ewing (1984, 1992), Shaquille O'Neal (1996), Danny Manning (1988) and LeBron James (2004, 2008, 2012). But when you're looking at James' comical and colorful Stewie Griffin LeBron IV sneakers by Nike, don't expect to find mention of the player's 2016 MVP status for the Cleveland Cavaliers. 

-- Gold Puma X Undefeated Clyde Gametime Gold sneakers honoring 2012 Olympic basketball at London.

-- In the non-Olympic realm, I enjoyed the Roy Lichtenstein-inspired design, original Onitsuka Tiger Tai Chi lace-ups like those worn by Bruce Lee and Uma Thurman, Damien Hirst's contributions for a pair of Converse X, and a pair of rubber "overshoes" from Brazil circa the 1830s.

-- There's not an exhibition-specific app, but the museum presents some interesting video content about select shoes via the site SneakerHigh.org. The Owens footage is interesting, as is the No. 1 video regarding the anniversary of Reebok Pump Fury celebrated a few years ago. 

I do think that with so many shoes tied directly to the 1996 Atlanta Games, the High could or should have laced up some promotions, an infographic for sports fans, or an invitation for Johnson to revisit his donated gold shoes. 

The Brazilian shoes from 1830 even provide a potential shoe box feature tied to the Rio 2016 Olympics -- imagine, safety from rubbers!

With several Atlanta-based gold medalists such as current Wheaties box athletics champion Edwin Moses, NBA player and Olympian Dwight Howard, or high jumper Chaunté Lowe nearby, why not engage them for their footnotes on Olympic shoes?

Most of the sneakers are presented in one large gallery, with a smaller side gallery showcasing the more historic (translation: older) designs spanning the mid-1800s to the 1960s. Each shoe rests in place, so it's not possible to peer at every angle unless a design happens to be placed at a glass case end cap. 

Suggestion for future shoe exhibitions: Place the objets d'art atop motorized Lazy Susans for a fresh spin of the moccasin.

The bottom line: For readers considering museum options, "Out of the Box: The Rise of Sneaker Culture" is worth visiting for its wealth of shoe artistry. Ruminating on its potential for Atlanta Olympic ties for more than a year, I could not help but be disappointed on that front, but the sneakers on view do fill in many interesting footnotes on history.

With that said, I haven't been this perplexed/disappointed by a High exhibition since they mounted a 2011 assemblage titled "The Art of Golf" whose curator obliviously left out the two most influential modern golf and sports artists, Leroy Neiman and Bart Forbes, perhaps another example (prior to Bata's catalog researcher and copy editor errors) when curators jumped for "sports meets arts" but only tossed a brick or air ball.

"The Rise of Sneaker Culture" remains on view at the High though Aug. 11 before it stumbles into the Speed Art Museum in Louisville, Ky. Maybe while in "The Greatest" Ali's hometown they'll get the spelling right for Muhammad. 

Images via High.org and Bata Shoe Museum; Olympic photo credit TBD.

Olympic Day Just A Week Away

The modern Olympic movement is celebrating its 115th birthday next week, and everyone is invited. According to the June 15 press release issued by the U.S. Olympic Committee, June 23 (next Tuesday) welcomes "Olympic Day" celebrations in more than 150 communities across the U.S.

This worldwide celebration honors the day Baron Pierre de Coubertin convened the International Olympic Committee in 1884. There's a song that goes "I left my heart in San Francisco" -- a free pin will be mailed to the first person to post a comment correctly identifying where in the world de Coubertin's heart is buried in accordance with his wishes.

The 2009 Olympic Day events are marshaled by the City of Chicago and the Chicago 2016 Olympic Bid, so you can show your support and help bring the Games to Chicago just by checking out the bid website (be sure to check out the videos featuring Michael Jordan).

Anyone can find a nearby Olympic Day Celebration with this convenient U.S. map created for the occasion. I personally plan to take lunch at Centennial Olympic Park in Atlanta with a visit to the de Coubertin monument titled "Gateway of Dreams." (photo via Olympics.org)

The IOC, Chicago and "All That Jazz"

Just returned from a fulfilling volunteer experience with the Chicago 2016 Olympic bid during the International Olympic Committee's Evaluation Commission visit to the city.

My post was at the downtown Sheraton, in the media hospitality and workroom area just steps from the river and Michigan Avenue (the organizing committee helped with a special rate at the neighboring Embassy Suites, which was lovely -- Southeast room facing Lake Michigan, much like a similar room at the same hotel for a 2007 visit with client Rock City Gardens).

Flying into the city from Atlanta, it was a clear night and I caught a glimpse of the John Hancock Tower, site of an evening event with commanding views of the city. About an hour after landing and meeting for a CTA ride with my girlfriend (she arrived from Milwaukee via Coach USA as the plane touched down), we were up on top of the world with a few colleagues and the new contacts at Chicago 2016 inside The Hancock.

Every inch of the city, from the arrivals area at O'Hare, to The El, taxis, the train station, flag and light poles, bridges, shop windows -- everything -- had colorful signage proclaiming "we support the bid" or other "Chicago 2016" messages. It was impressive and reminiscent of arriving at Torino, Beijing or other Games decked out with "look of the Games" treatment.

Official volunteer business commenced on Saturday with a series of official press briefings at the Sheraton. Our team, lead by the media relations staff and partner P.R. firm team members, included several of Chicago's best and brightest communicators and volunteers with media-specific backgrounds. One minute some of us would compile or update press releases, the next we'd set up or take down portions of the press conference room.

I was fortunate on the first day to be assigned to two Olympians who were on site for media interviews after the press conferences -- Olympic Champion Donna de Varona was one of these athletes and it was fun to briefly get reacquainted (we first met at British Columbia Canada Place -- an Edelman client -- in Beijing last August) before she spoke with several Chicago TV stations. Later in the day, judo Olympic silver medalist Robert Berland (a Chicago 2016 staff member) also spoke with several reporters.

Day one was punctuated by viewing (and contributing to a press release for) President Obama's welcome video presented to the IOC. It was remarkable, and I believe unprecedented, for a sitting U.S. president to provide such advocacy for an Olympic bid at this stage of the process.

Day two was all over town! With four teammates packed in a rental car, we drove from site to site in advance of two media buses shadowing the IOC entourage visiting McCormick Place (a massive convention center and potential site of the 2016 Olympic media center and several sports disciplines), Soldier Field, Washington Park and United Center. I had not experienced any of these venues previously, but each one blew my mind!

Soldier Field, for instance, has the most mac daddy luxury suites ANYWHERE -- commanding views of the field with downtown's skyline decorating the horizon (historic and amazing!). Washington Park would be developed as the Olympic Stadium site, and reminded me of St. Louis' glorious Forest Park (site of the 1904 Summer Games near Washington University).

At our final stop of the day, dozens of young athletes played team handball and basketball, or did gymnastics, across the United Center floor while the IOC evaluators viewed a welcome video from hometown hero (and two-time Olympic champion) Michael Jordan.

Tuesday (day four) included a final volunteer assignment inside the final, and only, IOC press conference of the week -- it was enriching to be in the room with the IOC guests providing feedback to several of the nation's (and the world's) top Olympic and sports reporters. It was moving to see one of the Chicago 2016 official videos the IOC had screened earlier in the day -- athletes and folks of all ages were shown across the U.S. handing off 2016 batons symbolic of the city's strengths at sharing Olympism. A few fellow volunteers and most members of the media team then handed out the same batons to the working media, who had some strong and positive reactions to the display.

But I have to skip back to day three for the cake and icing assignment of the week: Red carpet for the "City Night" dinner and cultural event at The Art Institute of Chicago. With thanks to the Atlanta Journal-Constitution for running with the story suggestion (submitted by our Chicago 2016 P.R. team from the Sheraton on Tuesday), I'll just add that seeing Oprah Winfrey in person, in her home town, was an experience I'll never forget -- at once it was similar yet drastically different from seeing Bill Gates speak at the Microsoft Vista launch in New York (disclosure: an Edelman project) or interacting with Ted Turner at the Atlanta Press Club (I only need to encounter Rupert Murdoch to complete the 'trifecta' of media mogul encounters).

It still does not seem real that Oprah was inches away speaking to reporters about all the positive potential Chicago 2016 has as an Olympic host. Hearing her enthusiasm and booming broadcaster voice in person was dramatic. I'm sure my jaw was gaping when she turned to face us.

The week did include a few critics of the bid. Part of the media volunteer assignment included keeping an eye on comments reported by media, or responding to those who have not yet embraced the Games' potential to be all positive for the USA, the Midwest, Illinois and Chicago. At least one of the responses we worked on is available online.

Several of the working media on site blogged or twittered from the experience. It was good to gain a few new Twitter followers, and start following new folks, during the week (in case you need it, follow me to http://twitter.com/nickwolaver for the real-time updates from April 3-8).

The complete volunteer experience was enriching -- I hope there will be further opportunities to contribute a verse to Chicago's efforts. It will be intense to track the other cities in the running, now that Chicago's presentations are complete, and very exciting when the IOC votes on October 2 in Copenhagen.